Visual Theater Artist
Theatre director
Puppeteer
Multidisciplinary Artist
Artistic Advisor
Theater and Art Teacher & Lecturer
// Projects //
"Georgia Buz" is a theatrical-visual journey that moves between myth and personal memory, between a giant metal crane and a world of feathers, between entertainment magic and dismemberment rituals. At its center is a charged relationship between father and daughter, which appears in the form of mythological and personal fathers: Daedalus, Abraham and King Minos, alongside the figure of the creator's father.
A loving woman sets out on a journey to find a cure for her husband, who has returned from the battlefield angry and withdrawn. This unfolds both in life and on stage.
The performance explores secondary trauma and offers a unique perspective on post-trauma through the eyes of the partner.
Sodom, both a mythical place and geographical and historical site, is transformed by JP’s art into a vivid theatrical vision, speaking to our current times. This poetic and political production is the result of multilayered research crossing archeological layers of tabu and longing.
Pnina sinks into her inner world, the world of paper figures. She is unable to separate between a skin tissue and paper, between one child and the countless figures. She cannot tell between the annihilated reality and her savior imagination. On top of hospital beds, she spreads a nightmare-like consciousness space. She evokes questions on mother-daughter relationship, society, sexuality, and gender.
A puppet theater that interprets a life story. A paper doll tries to escape from her childhood home. She is drawn to fantastic mental landscapes; Magical and terrifying, a mirror to her fears and dreams. With a suitcase in hand, she arrives at an abandoned slum, where my uncle, a transgender solar boiler technician, and the girl he once was are wandering around...
17 years of creating miniature puppet theaters, in which a fragile paper figure appears with feverish, compulsive repetition. The paper dolls are so small that they are almost invisible, implying everything that could be torn, crumpled, trampled. "The toil, the compression, the haste that produces a formal overload, an emotional congestion, delicate as lace, endlessly overflowing with forms..."
When my father was young he adopted a falcon. Now, after his death I return to examine the father-daughter relationship through the gender-reversed myth of Icarus and Daedalus. A real feather archive in Germany and clinical boards where the bird is disassembled into its feathers are the stage and conceptual space through which the myth and relationships are examined.
